Randy Cohen: What is benign in one setting can be toxic in another.
(Chainsaws: useful in the forest, dubious at the dinner table. Or as Dr. Johnson put it in a pre-chainsaw age, “A cow is a very good animal in the field; but we turn her out of a garden.”) (*)
Malcolm Gladwell: "I have two parallel things I'm interested in: collecting interesting stories and collecting interesting research. What I'm looking for is where they overlap."
Jean-Luc Godard: It’s not where you take things from—it’s where you take them to.
Jonathan Lethem: Any text is woven entirely with citations, references, echoes, cultural languages, which cut across it through and through in a vast stereophony. The citations that go to make up a text are anonymous, untraceable, and yet already read; they are quotations without inverted commas. The kernel, the soul--let us go further and say the substance, the bulk, the actual and valuable material of all human utterances--is plagiarism. For substantially all ideas are secondhand, consciously and unconsciously drawn from a million outside sources, and daily used by the garnerer with a pride and satisfaction born of the superstition that he originated them; whereas there is not a rag of originality about them anywhere except the little discoloration they get from his mental and moral caliber and his temperament, and which is revealed in characteristics of phrasing. Old and new make the warp and woof of every moment. There is no thread that is not a twist of these two strands. By necessity, by proclivity, and by delight, we all quote. Neurological study has lately shown that memory, imagination, and consciousness itself is stitched, quilted, pastiched. If we cut-and-paste our selves, might we not forgive it of our artworks? "The Ecstasy of Influence" Harper's Magazine, Feb. 2007, p. 68.
Pablo Neruda: "Writers are always interchanging in some way, just as the air we breathe doesn’t belong to one place. The writer is always moving from house to house: he ought to change his furniture. Some writers feel uncomfortable at this. I remember that Federico García Lorca was always asking me to read my lines, my poetry, and yet in the middle of my reading, he would say, “Stop, stop! Don’t go on, lest you influence me!" (Paris Review, The Art of Poetry 14)
Isaac Newton: "If I have seen further it's by standing on ye shoulders of Giants," in a letter to Robert Hooke
John Padgett and Woody Powell: Emergence of novelty is not virgin birth. Everything, even the origin of life itself, is a combination and recombination of other things in its accessible context... Understanding the emergence of objects, therefore, is a matter of deconstructing objects into the transformational flows that construct and sustain them. Viewed from the perspective of flows, objects are the folding and refolding of their context – namely, of the ecology or network of other objects with which those objects interact... For example, stability of the human body through time means not mechanical fixity of parts; it means organic reproduction of parts in flux. Viewed as chemical reactions, we are vortexes in the material life that wends through us all. (*) (forthcoming The Emergence of Organizations and Markets, Princeton U. Press)
Janwillem van de Wetering: The Daimyo : "What would I be? A good question. I have no answer. My mind is clouded by the countless thoughts with which I have identified myself and which have all left their traces." (*) (an interview)
Harrison White: You can be assured that, for each idea, quite a number of substantial, and often independent, discussions and implementations could be cited: Ideas that have any importance, any impact, do, after all, come in company, not as isolates, and the essayist is mostly a transcriber of ideas abroad in his networks" (1994a, p. 4) in Emirbayer 1997
Eric Hoffer: Total innovation is a flight from comparison and also from imitation. Those who discover things for themselves and express them in their own way are not overly bothered by the fact that others have already discovered these things, have even discovered them over and over again and have expressed what they found in all manner of ways. 1960, from his notebooks.
The Books:
Malcolm Gladwell: "I have two parallel things I'm interested in: collecting interesting stories and collecting interesting research. What I'm looking for is where they overlap."
Jean-Luc Godard: It’s not where you take things from—it’s where you take them to.
Jonathan Lethem: Any text is woven entirely with citations, references, echoes, cultural languages, which cut across it through and through in a vast stereophony. The citations that go to make up a text are anonymous, untraceable, and yet already read; they are quotations without inverted commas. The kernel, the soul--let us go further and say the substance, the bulk, the actual and valuable material of all human utterances--is plagiarism. For substantially all ideas are secondhand, consciously and unconsciously drawn from a million outside sources, and daily used by the garnerer with a pride and satisfaction born of the superstition that he originated them; whereas there is not a rag of originality about them anywhere except the little discoloration they get from his mental and moral caliber and his temperament, and which is revealed in characteristics of phrasing. Old and new make the warp and woof of every moment. There is no thread that is not a twist of these two strands. By necessity, by proclivity, and by delight, we all quote. Neurological study has lately shown that memory, imagination, and consciousness itself is stitched, quilted, pastiched. If we cut-and-paste our selves, might we not forgive it of our artworks? "The Ecstasy of Influence" Harper's Magazine, Feb. 2007, p. 68.
Pablo Neruda: "Writers are always interchanging in some way, just as the air we breathe doesn’t belong to one place. The writer is always moving from house to house: he ought to change his furniture. Some writers feel uncomfortable at this. I remember that Federico García Lorca was always asking me to read my lines, my poetry, and yet in the middle of my reading, he would say, “Stop, stop! Don’t go on, lest you influence me!" (Paris Review, The Art of Poetry 14)
Isaac Newton: "If I have seen further it's by standing on ye shoulders of Giants," in a letter to Robert Hooke
John Padgett and Woody Powell: Emergence of novelty is not virgin birth. Everything, even the origin of life itself, is a combination and recombination of other things in its accessible context... Understanding the emergence of objects, therefore, is a matter of deconstructing objects into the transformational flows that construct and sustain them. Viewed from the perspective of flows, objects are the folding and refolding of their context – namely, of the ecology or network of other objects with which those objects interact... For example, stability of the human body through time means not mechanical fixity of parts; it means organic reproduction of parts in flux. Viewed as chemical reactions, we are vortexes in the material life that wends through us all. (*) (forthcoming The Emergence of Organizations and Markets, Princeton U. Press)
Janwillem van de Wetering: The Daimyo : "What would I be? A good question. I have no answer. My mind is clouded by the countless thoughts with which I have identified myself and which have all left their traces." (*) (an interview)
Harrison White: You can be assured that, for each idea, quite a number of substantial, and often independent, discussions and implementations could be cited: Ideas that have any importance, any impact, do, after all, come in company, not as isolates, and the essayist is mostly a transcriber of ideas abroad in his networks" (1994a, p. 4) in Emirbayer 1997
Eric Hoffer: Total innovation is a flight from comparison and also from imitation. Those who discover things for themselves and express them in their own way are not overly bothered by the fact that others have already discovered these things, have even discovered them over and over again and have expressed what they found in all manner of ways. 1960, from his notebooks.
The Books:
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